

"Characters serve the story, but also it's my job to make characters real, and no human being I've ever met is one-dimensional." I was so honored and blessed to have Jennifer, Sam Claflin, Aisling Franciosi, and Damon Herriman.all these experienced actors and a director supporting me and encouraging me on the journey. I couldn't handle the cold, but I was really committed to the story and this film.Īs a guy from a remote community in Australia, with no acting experience or acting school, getting a lead role in a feature film was pretty tough. And going down to Tasmania and filming out in the cold weather was a huge challenge for me.

For me, it was challenging because where I'm from in Australia, it's pretty hot. It was pretty challenging for most of us, especially the film crew because they had to carry the equipment up and down. We were filming in so much forest and mountains. Can you walk me through some specific challenges that you encountered along the way, and how you tackled them?īaykali Ganambarr: Where we were filming, in Australia and Tasmania, it was pretty wild. NFS: I read that production was really grueling. It's difficult to watch the onscreen violence, but sometimes even more so to witness the brutality as reflected in Clare's face. Kent foregrounds the film in Clare's experience, framing her in claustrophobic close-ups with boxy Academy aspect ratio. She happens upon an Aboriginal guide, Billy (Baykali Ganambarr), who reluctantly agrees to aid Clare on her quest for vengeance, despite her racist attitude. Ultimately, though, the outsiders find common ground in their experience of oppression. But when an unimaginable tragedy occurs, Clare finds herself on the run in the rugged forests of Tasmania. Their master is Lieutenant Hawkins (Sam Claflin), a ruthless man whose dictatorial tendencies often manifest in repeated sexual assaults. But where another period piece might have looked for redemption or glorification of some kind, Kent is concerned with nothing but the cold, honest, harrowing truth: this slice of history was hell for both Aboriginals and the Irish prisoners who have been transported to the island for hard labor.Īt the center of it all is Clare (Aisling Franciosi), an Irish convict living on a small farm with her husband and newborn baby, where they are indentured servants. Kent, who is Australian, has dramatized the violent British takeover of Tasmania in 1825, and the subsequent near-eradication of its indigenous population. Such is Jennifer Kent's The Nightingale. The film-Kent's follow-up to The Babadook-is an unflinching moral reckoning with Australia's past. The history of colonization is bloody, brutal, and unforgiving. 1 New York Times Bestseller for a total of 114 weeks on the list.Jennifer Kent's "The Nightingale" is a brutal, unforgiving reckoning with Australia's colonial past. The Nightingale has been published in 45 languages, and went on to sell 3.5 million copies in the U.S.
#Nightingale film movie#
The project reteams Laurent with Elle Fanning after the duo worked on the 2018 movie Galveston together. The story was inspired by the courageous women of the French Resistance who helped downed Allied airmen escape Nazi-occupied territory and hid Jewish children.

Pic, which is being directed by Melanie Laurent, is set on the eve of World War II and follows the sisters’ struggle to survive and resist the German occupation of France. Real-life sisters Elle and Dakota Fanning will play on-screen sisters in the coming-of-age story adapted from Kristin Hannah’s international bestseller. 22, 2021 due to the COVID-19 production shutdown. PREVIOUSLY, April 30: Sony’s The Nightingale WWII drama starring Elle and Dakota Fanning, which was suppose to come out at the end of this year, has been pushed to Dec. The film is produced by Invisible Pictures, Park Pictures, Fifty Seventh Street Productions, and Rebelle Media. The film stars Finn Wittrock, Zoë Chao, Casey Wilson, Jim Rash and with Damon Wayans, Jr. Executive Producers are Franklin Carson, Lance Acord and Jackie Kelman Bisbee. Pic is produced by Deanna Barillari, Laura Lewis, Theodora Dunlap, Sam Bisbee, Audrey Rosenberg and Jess Jacobs. Steve Basilone is making his directorial debut off his script. Lisa Joy Sci-Fi Thriller 'Reminiscence' Sets End Of Summer Release
